|
|
|

SAVED -
1980

| TRACKS
& LYRICS |
AUDIO
|
A Satisfied Mind
Saved
Covenant Woman
What Can I Do For You?
Solid Rock
Pressing On
In The Garden
Saving Grace
Are You Ready?
|
{Real
Audio}
{Real
Audio}
{Real
Audio}
{Real
Audio}
{Real
Audio}
{Real
Audio}
{Real
Audio}
{Real
Audio}
{Real
Audio}
|
|
Liner
Notes |
|
Jeremiah
Chapter 31:31 Behold, the days come, saith the Lord, that
I will make a new covenant with the house of Israel, and
with the house of Judah.
Bob Dylan - Guitar, Vocals, Harmonica
Tim Drummond - Bass
Jim Keltner - Drums
Fred Tackett - Guitar
Spooner Oldham - Keyboards
Terry Young - Keyboards & Vocals
Clydie King, Regina Havis, Mona Lisa Young - Vocals
Special guest Artist - Barry Beckett.
All songs written by Bob Dylan except
"A Satisfied Mind" written by Red Hayes &
Jack Rhodes & "Saved," written by Bob Dylan
and Tim Drummond
Recorded at Muscle Shoals Sound Studio
Engineer - Gregg Hamm
Assistant Engineer - Mary Beth McLemore
Mastered at Amigo Sound Studios, Burbank, CA
Mastering Supervisor - Paul Wexler
Mastering Engineer - Bobby Hata
Cover - Tony Wright
Photography - Arthur Rosato
Produced by Jerry Wexler & Barry Beckett
|
|
Album
Notes |
|
Ever the spiritual nomad, the former Robert Zimmerman
became a born-again Christian in the late '70s, a
development strongly reflected in his work from that
period. His second "Christian" album, SAVED
celebrates the change just as emphatically as it's
predecessor SLOW TRAIN COMING, with Dylan declaring
proclaiming his faith in no uncertain terms on the title
track. Even when he sings about the opposite sex on
"Covenant Woman," it's a lady who has a
"contract with God."
Backed by some of the most soulful musicians he's ever
recorded with, including Barry Beckett, Spooner Oldham and
Jim Keltner, Dylan wrings an unprecedented degree of
emotion from his tunes. He even sings the hell out of the
old country-identified spiritual "A Satisfied
Mind" to open the album. Closing things out,
"Are You Ready" finds Dylan (backed by a gospel
choir) exhorting the listener to accept Jesus, over a
sinuous funk-gospel vamp.
|
|
|
|
|